The belated Cuban musician Agustin Fernandez developed a gloomy, gritty human anatomy of works that imagine a hyper sexed, electronic corporeality.
PARIS A visceral, hyper sexualized sensibility operates through the extravagantly trendy oeuvre of Cuban musician Agustin Fernandez, whom resided right right right here from 1959 to 1968 and passed away in new york in 2006. The effectiveness of plucky erotic dreams and intimate innuendos, FernandezвЂ™s leitmotif, frequently supersedes respectful significance that is social so one part of FernandezвЂ™s inventive art is forever likely to be libertine, even though tempered by our knowing that the dominance of this right western male position is not any longer unquestioned in art. Gender is socially ( perhaps maybe not naturally) constructed and, whenever named a fluid concept in art, defies effortless recognition. Needless to state, there is nothing less particular in art than sex, and although irreverent works like Yoko OnoвЂ™s cheeky film вЂњFourвЂќ (1966), Valie ExportвЂ™s вЂњAction Pants: Genital PanicвЂќ (1969), Kembra PfahlerвЂ™s вЂњWall of VaginaвЂќ (2011), and Betty TompkinsвЂ™s Fuck Paintings may recommend otherwise, a lot of women feel there will be something deeply feckless, or even alienating that is downright about decreasing the human anatomy to its remote intercourse components. Continue reading